Unfolding of a New Women-Bimala in Tagore’s “Home and the World”
Susmita Bhakat1, Samapika Das Biswas2
1Susmita Bhakat, Assistant Professor, Department of Basic Science and Humanities, Institute of Engineering & Management, Kolkata, University of Engineering and Management, Kolkata. (West Bengal), India. Susmita.
2Dr. Samapika Das Biswas, Professor, Department of Basic Science and Humanities, Institute of Engineering & Management, Kolkata, University of Engineering and Management, Kolkata. (West Bengal), India.
Manuscript received on 31 May 2024 | Revised Manuscript received on 11 June 2024 | Manuscript Accepted on 15 June 2024 | Manuscript published on 30 June 2024 | PP: 22-26 | Volume-3 Issue-4, June 2024 | Retrieval Number: 100.1/ijssl.D113203040624 | DOI: 10.54105/ijssl.D1132.03040624
Open Access | Ethics and Policies | Cite | Zenodo | OJS | Indexing and Abstracting
© The Authors. Published by Lattice Science Publication (LSP). This is an open-access article under the CC-BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/)
Abstract: This essay focuses on Rabindranath Tagore’s depiction of feminism and the dichotomy portrayed in Bimala, which is unique in “The Home and the World” compared to other female characters in Indian literature. It denotes how Tagore sought to establish universal humanity to understand society and culture, and to build a woman in the era of the Swadeshi movement. This chapter explores the complex psychological aspects of the protagonist, Bimala, within the political viciousness of the Nationalist Movement, yet unfolds her journey to emerge as a new modern woman, retreating to her conjugal life with Nikhil, as she grapples with her emotions and her illusory love, disguised as Sandip.
Keywords: Home and the World, Swadeshi movement, Colonialism, New Women.
Scope of the Article: Social Science